It continues to push the boundaries of the art form, blurring the lines between movement, dance, theater and circus. Circa's works have been greeted with standing ovations, rave reviews and sold-out venues across six continents.Ĭirca is at the forefront of the new wave of contemporary Australian circus – pioneering how extreme physicality can create powerful and moving performances. Since 2004, from its base in Brisbane, Australia, Circa has toured the world – performing in more than 40 countries to over 1.5 million people. Circa’s acrobats bring this classical music suite to life for a whole new generation of circus, music and animal lovers.Ĭirca Contemporary Circus is one of the world's leading performance companies. And even our dinosaur bones shake, clatter and roll to the music.Ĭarnival of the Animals whisks you away on a thrilling circus escapade inspired by Camille Saint-Saëns’ delightful salute to feathers, fur and fins. We have elephants with street-cred and rhythm. The Circa carnival comes to town with whimsical tales of creatures of land and sea, who tumble, fly, leap and spin their way through the many wondrous worlds of the animal kingdom. LA Phil Media is supported by the David C.Production by Circa and QPAC’s Out of the Box Festival. The character designs featured here were created by Manashi Parikh and Saurabh Vashistha. Led by Upamanyu Bhattacharyya, the collective brought each folktale to life through a unique visual language and strong storytelling sensibility. Ghost Animation is a collective of animators, artists, and filmmakers based in Kolkata, India, brought together by their love of film, 2D animation, and creating new work. The Carnival of the Animals – Drawings by Ghost Animation It’s summed up by that beautiful word-innocence. There is a purity in the way a child interacts with the world, which plays into the imagination. Music allows us to remember our childhoods when we were discovering things and creating our own visions and ideas. I try to keep that way of thinking alive in myself because, as adults, we think we know everything and can enter into situations with a type of prejudice. The beauty of being a young person is that you live in a world where you are discovering everything. The folktales come from different cultures, but they reveal that we are all united in our impulse to create.ĭo you think young people relate to music differently than adults do?Īs a musician, of course, but also as a listener. The same is true of the stories they’re telling. Even though they live far apart, these young musicians are all connected through their music and their imaginations. Yes! I am so proud to have children from YOLA (Youth Orchestra Los Angeles) and other El Sistema-inspired programs in Brazil and the UK help us share these beautifully animated folktales. Can you tell us a little bit about the other featured narrators? Martín narrates one of the stories in the episode. The music invites listeners to create images and even narratives in their mind, which is a beautiful thing. It’s a very playful piece that speaks to the imagination. It’s a piece that my son Martín, who co-hosted the episode with me, loves. Why did you choose The Carnival of the Animals ? There are a lot of different pieces you could play for a young audience.
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